Sunday, 29 October 2017

Poet’s Musings

It’s like I am collecting too much water but there is no outlet to let it flow....through hard work I can only collect, but flow is on the mercy of inspiration...a cry of burning hot pain, blackness of a frozen river of sadness, a drop of innocence still preserved in the midst of harshness of existence, a smile unaware of its potency, a sidewise look of a feminine eye-reaffirming the hope woven from illusion that life is beautiful; anything. Anything that breaches the hard shell of intellect made of thick rationalisation ( and cynicism) to overwhelm and to drown the pot in its own content. I read to be weak and vulnerable for that’s where sensitivity takes root, not to be poisoned with rationality. Otherwise there is no point for pot to collect- or for intellect to know-if it can’t feel joy and sadness deeper and deeper. For, poetry is the final condensate of emotional distillation of man, a few drops left of a whole universe inside-in form of few lines of poetry on paper. I am making my universe ready, but heat for distillation: I can only pray for.....

-Pulastya

Saturday, 21 October 2017

Festival Spirit

The true underlying spirit of the festival is that it elevates the mood. The singularity of purpose of large human collection, i.e. of being happy for a day at least, moves as a contagion and sweeps everyone off in a flood of happy moods, as if all life problems are only perceptions and with turn of mood they simply evaporate. Perhaps festivals are culture’s way of telling its members, “ here is a perception that weaves magic in to reality and makes world an enchanting place, take it, wear it for a day, and take a break from living”. And with upsurge in the mood world changes its colour from dull grey to scarlet, to magenta, to aquamarine, to any colour that human spirit wants to drape in when it feels beautiful and ready for happiness. 
Today, a day after of being taken, these pictures seem gaudy and people in them little less real- for if you compare them with their every day; but on the day, when these pictures were taken, they were nothing less- these people. In fact still camera freezes only one particular moment in time, which, also, may not be their peak. And, more than peak it is the build up to that peak, the rise of a person from ‘dull ordinary’ to ‘uninhabited oozing with joy of life’ soul, that tells the magic of the mood of the day on individuals, which still camera largely fails to capture. Allowance should also be made for the fact that the man behind the camera is at best a charlatan claiming to be a photographer; though in his defence I would like to say that his actions as pretend photographer were perfectly in line with the spirit of the day- freedom to live your fantasy; and thus, audacious but pardonable.
It is amazing to note though how, under the influence of mood of the moment, people are transformed. It’s like an explosion. A hidden fire cracker wrapped everyday in faded blue and depressing grey, or in any outcast colour (expelled from the spectrum for having weakest of hues), barely noticed in the sea of official homogeneity, showing the glorious colours of its true spirit in the backdrop of festive air. It leaves you awestruck and wondering about a blindness induced by monotony of daily routine-how it makes whole garden remain hidden in the plain sight, and how a wonderful view from the window turns in to a wall paper. 
With eye behind the view finder photographer’s job is quite mechanical on such public occasion. While shooting in an uncontrolled environment one tries to hedge the risk of suboptimal output by shooting relentlessly, taking as many pictures of a moment as possible, hoping that at least in few of them he will be able to find beauty of symmetry, structure, and most importantly, expressions-which, in terms of photography, is called composition. Hope for this discovery of beauty is what keeps him going with pressing the finger and straining the eye looking at a constrained and distant view through one square inch of glass; of course, apart from the fact, that it was the craving for attention (even if notional) which made us pick up the camera in first place. Though, speaking primarily for self, some of us can tolerate so many eyes looking in our direction only from behind the safety of a view finder. 
And discovery of beauty comes from most unexpected quarters; as if there are things- even from very subjective perspective- that only camera ( a machine!) can see first hand, human eye has to borrow the picture from it to notice them. Or, is it that we never pay attention to those things (people as well!) distracted by our biases, but camera- at least in the direction it is pointed- soaks in the unbiased view. In the pictures below I came across many such revealing moments where beauty of an unassuming smile, the gracefulness of holding a posture, the shear appeal of an attitude, the colour of a dress, taunted my artistic sense (presupposition that I have some) for being oblivious to their presence though they are there so close to me. A nose ring, a pair of ear rings, a bracelet, an embroidered jacket, all of them a universe of beauty waiting for the discerning eye. With discovery of these I feel generously rewarded for my effort. 
-Pulastya

Sunday, 15 October 2017

Beauty

From afar I yearn for you-
Your curious but vulnerable eyes are
danger wrapped in misty allure, 
face, glows like a bronze moon,
giving black tresses sheen
of night trying to conceal a forest burning in distance;
Curves and arches of your being,
As if all the definitions of bodily elements of beauty
have come together to define ‘perfection of form’-
all senses consenting to the highest state of elation;
But, Someone said,
‘Beauty is nothing but beginning of terror,
which we still are just able to endure.’
In coming closer,
I fear my annihilation!
But,
worst still!
What if you serenely disdained to annihilate me!
-Pulastya

Earthy Beauty

Everything- road, car, the backdrop of greenery- looks brighter bejewelled with your beauty; and one can never be really sure if it is the smile enhancing the colour of dress and glow of skin or it is the opposite! Or it is just that poet’s eyes are blessed. And, that skin tone leaves no doubt about the earthiness of your beauty, I can smell the petrichor; as if earth has literally risen for few precious moments to dress up in fabric and colour. 
-Pulastya

Polka

Polka dots...on a polka girl,
a hundred moons displayed on rose petal,
rose in full bloom
and in the rose tenderly wrapped black pearl....
-Pulastya

Thought strings strummed by a photograph:

Corporeal beauty (beauty of form) will always have this advantage over incorporeal beauty (beauty of intellect) that it gets easy chance at dazzling the observer. It can operate with very superficial means (a photograph is enough to captivate) without needing much prerequisites/qualifications on the part of observer; and in cases, where endowments accorded by creator to the form (too!) are generous, it ( beauty of form) creates a serious interference in perceiving the dazzle of incorporeal beauty by completely sapping the observational energy of observer. I sense that kind of situation here. But then, gift of form is a special blessing of feminine, for they are the sole carriers of seed of “beauty of form”; masculine, on the other hand, is blessed with fertile eye, where this type of beauty grows. 
-Pulastya

Sunday, 1 October 2017

A poet:

A poet
is like smouldering charcoal :
half fire half ash,
half light half darkness...

-Pulastya

Remembering the early youth....


In the midst of old flames and past crushes
relapsing into slow burning and tender aches,
Tossing turning whole night,
What a delight! What a delight!
Inflamed by untouched desire
pains of passions that never caught fire,
Returning wind of past feelings does to me,
What springtime does to a flower tree!

-Pulastya

On Ageing:


As the lugubrious day has gone by,
In wrinkled silk evening cocoons my tired body,
Soon darkness will begin its lullaby,
Its wordless song, eternal solitude’s sweet melody.

-Pulastya